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A sizeable shiny bucket is turned upside down. The colorful things flowing from the bucket are some of the numerous articles that have washed ashore in this area. Since ancient times, the Sotoura coast, facing the Sea of Japan, has been hit by strong winds and rough waves that have brought all kinds of debris, including refuse from the continent. Formerly enshrined as yorigami, most of what washes up now are plastic waste generated from our consumer society. The artist sounds the environmental alarm bell through his works.
Gupta Subodh
Subodh Gupta was born in 1964 in Khagaul, Bihar, India. He studied at the College of Art, Patna before moving to New Delhi where he currently lives and works. Trained as a painter, he has gone on to work with a variety of media including painting, performance, video, photography, sculpture, and installation. The artist oscillates between diverse media, collating disjointed nuggets of impressions and experiences, into a wholesome image, cast in metal, etched on a canvas, or as a recorded image. The inherently transient nature of memory builds in magnificently with the artistic urge to preserve for posterity the vestiges of what is seen, heard, felt, thought or believed. Gupta is best known for working with everyday objects that are ubiquitous throughout India, such as mass-produced stainless steel utensils, bicycles, and milk pails. From these ordinary items the artist produces works that reflect on universal issues including migration, globalization, and the cosmos. Subodh Gupta’s work exemplifies the iconography of a banal, precarious, edgy and bustling everyday life, often humungous in magnitude, blown out of proportions, peeled out of their ordinary skins by their sheer mass and volume.
Duration September 4th(Sat)－October 24th(Sun) 2021, 51 days
Feel the power of art at “the furthest edge of the world.”
Suzu City is located in the center of the Japanese archipelago, at the tip of the Noto Peninsula, jutting out into the Japan Sea. The natural beauty of its satoyama and satoumi has remained to this day. We are blessed with an abundance of good food, and above all, wondeful resident people.
The spread of the novel coronavirus had a major impact on society and economies worldwide, and it was inevitable that the Oku-Noto Triennale postpone for one year. We have been preparing for the Oku-Noto Triennale2020+ in hopes that it will be an opportunity to reconnect divided countries and people.
The eight islands of Japan sprang into existence through Divine Intervention.The first two gods who came into existence were Izanagi no Mikoto and Izanami no Mikoto, the Exalted Male and Exalted Female. It was their job to make the land for people to live on.They went to the bridge between heaven and earth and, using a jewel-encrusted halberd, Izanagi and Izanami churned up the sea into a frothy foam. As salty drips of water fell from the tip of the halberd the first island was formed. Its name was Onogoro.So far, so good. But when Izanagi and Izanami first met on their island, Izanami spoke to Isanagi without being spoken to first. Since she was the female, and this was improper, their first union created badly-formed offspring who were sent off into the sea in boats.The next time they met, Izanagi was sure to speak first, ensuring the proper rules were followed, and this time they produced eight children, which became the islands of Japan.I'm sure you did not fail to miss the significance of this myth for the establishment of Japanese formal society.At present, Japan is the financial capital of Asia. It has the second largest economy in the world and the largest metropolitan area (Tokyo.)Technically there are three thousand islands making up the Japanese archipelago. Izanagi and Izanami must have been busy little devils with their jewelled halberd...Japan's culture is highly technical and organized. Everything sparkles and swooshes on silent, miniaturized mechanisms.They're a world leader in robotics, and the Japanese have the longest life-expectancy on earth.Text by Steve Smith.
